Education

  • B.A., University of California, Berkeley, 1983
  • M.A., Middlebury College, 1988; M.A., University of Michigan, 1986
  • Ph.D., University of Michigan, 1990

Publications

Books

Additional Books

  • Ed. Orientalism Beyond “Orientalism,” special issue of L’Esprit Createur (Summer 1994).

Book Chapters/Articles

  • “Akasi-e Moaser-e Khavar-Mianeh dar Asr-e Neo-Orientalism,” (Contemporary Photography of the Middle East in the Age of Neo-Orientalism), Calotype, Spring 2017, No. 8, pp. 140-154.
  • “Inhospitality, European Style: The Failures of Human Rights,” The Postcolonial World, edited by Jyotsna G. Singh & David D. Kim, New York: Routledge, 2017, pp. 291-307.
  • “The Power of ‘Light-Drawing’: On the Uses of Photography in Qajar Iran,” God is Light, edited by Sheila Blair & Jonathan Bloom, New Haven: Yale University Press, 2015, pp. 310-331.
  • “Missing Archives, Oppositional Recoveries” (Epilogue), Fugitive Knowledge: The Loss and Preservation of Knowledge in Cultural Contact Zones, edited by Andreas Beer and Gesa Mackenthun, Münster, Germany: Waxmann, 2015, pp. 223-229.
  • “A Comparative Frame of Mind,” Tamkang Review, Volume 45, No. 1, December 2014, pp. 1-20.
  • “Royal Portrait Photography in Iran: Constructions of Masculinity, Representations of Power,” Ars Orientalis, Number 43, Fall 2013, pp. 32-45.
  • “The Orientalist Photograph,” Photography’s Orientalism: New Essays on Colonial Representation, edited by Ali Behdad and Luke Garland, Los Angeles: Getty Publications, 2013.
  • “What Can American Studies and Comparative Literature Learn from Each Other,” American Literary History, Volume 24, Number 3, Fall, 2012, pp. 608-817.
  • “Fotografisches Gedächtnis: Bahman Jalali und die Geschichte der Fotografie im Iran” (Photographic Memory: Bahman Jalali and the History of Photography in Iran), Bahman Jalali (Exhibition Catalogue), edited by Catherine David, (Köln: Verlag der Buchhandlung Walther König, 2011), pp. 182-188, 214-219.
  • “Orientalism Matters,” Modern Fiction Studies, 56:4 (Winter 2011), pp. 709-728.
  • “Postcolonial Theory and the Predicament of “Minor Literature,” in Minor Transnationalisms, edited by Francoise Lionnet and Shu-mei Shih, (Durham: Duke University Press, 2005).
  • “On Globalization, Again,” in Postcolonialism and Beyond, edited by Suvir Kaul and Ania Lumba, (Durham: Duke University Press, 2005).
    “Une Pratique Sauvage: Postcolonial Belatedness and Cultural Politics,” The Pre-Occupation of Postcolonial Studies Postcolonial, edited by Fawzia Afzal-Khan and Kalpana Seshadri-Crooks (Durham: Duke University Press, 2000).
  • “Foreign Objects: Finding Solutions to Democracy’s Problems,” (and Juliet Williams), Diaspora: A Journal of Transnational Studies, (2001).
    “National Identity and Immigration: American Polity, Nativism, and the “Alien,” in Beyond Dichotomies, edited by Elisabeth Mudimbe-Boyi, (Buffalo: SUNY Press, 2000).
  • “The Powerful Art of Qajar Photography: Orientalism and (Self)-Orientalizing in Nineteenth-Century Iran,” special issue on “Representing the Qajars: New Research in the Study of 19th-Century Iran,” edited by Layla Diba, Journal of Iranian Studies, (2001).
  • “Founding Myths of the Nation, Or What Jefferson and Hamilton Forgot about Immigration,” Aztlan: A Journal of Chicano Studies,” (2001).
  • “Orientalist or Orienteur? Antoin Sevruguin and the Margin of Photography,” Sevruguin and the Persian Image, edited by Fredrick Bohrer, Washington, D.C.: Sackler Gallery Series, Smithsonian Museum, (1999).
  • “INS and Outs: Producing Delinquency at the Border,” Aztlan: A Journal of Chicano Studies, (Spring 1998).
    “Reflections on the Family Photos of Iranians in Los Angeles,” Suitcase (Summer 1997).
  • “Nationalism and Immigration in the United States,” in Diaspora: A Journal of Transnational Studies, (1997).
  • “Eroticism, Colonialism, and Violence,” Identity, Violence and Self-determination, edited by Samuel Weber and Peter van der Veer, (Stanford: Stanford University Press, 1997).
  • “Border INSpection: Crossing the U.S. Border,” Centuries’ Ends, Narrative Means, edited by Robert Newman (Stanford: Stanford University Press, 1996).

Field of Interest

Postcolonial Literature and Theory; Literary and Cultural Theory; European Representation of the Middle East; Victorian Novel and Travel Literature; US Immigration History; 19th Century Photography of/in the Middle East.